Every store, with the metadata done properly.

Distribution is only simple until a release is rejected for artwork size, a remixer is missing from the credits, or a track goes live under the wrong artist profile. Most of the damage happens in the metadata, and it is the part nobody reads until it is wrong.

I run a label and I distribute records, which is why this is not subcontracted. Codes, credits, artwork specs, release windows and store deadlines are checked before delivery, not after somebody notices.

What you get

• Delivery to every major store and streaming service
• ISRC and UPC codes assigned and registered
• Metadata, credits and remixer attribution checked
• Artwork checked against store specs before delivery
• Release windows and pre-order dates lined up with the campaign

How it works

1. 01Audio and artwork inMasters, artwork, credits and dates.
2. 02The paperworkCodes, metadata, splits, territories.
3. 03Delivery and checkLive in every store, on the right profile, on the right day.

What it is not

It is not a rights grab. The recordings stay yours and the accounting stays visible.

Questions